In a 2013 interview with Filmmaker journal, Brent Renaud described going through violence for the sake of his work — repeatedly being attacked by thugs whereas reporting on a crackdown towards the Muslim Brotherhood in Cairo, as an example, and drawing hearth from troopers in Cambodia when the automobile he was driving in crashed by way of a navy checkpoint.
“It is important when covering conflict to understand the politics and the players involved,” he stated. “You have to know where it is relatively safe to be, and when.”
Mr. Renaud employed a spare method that gave him mobility, flexibility and comparatively unfiltered entry to what he was filming. He typically spent greater than a 12 months on a single topic. He tended to not work with a crew, to make use of distracting gear — tripods, massive lights — or to insert music or voice-overs into his films.
“It’s about being so close you’re almost seeing things from the subject’s point of view,” he instructed the commerce publication American Cinematographer in 2007. “We try to disappear.”
Brent Anthony Renaud was born on Oct. 13, 1971, in Memphis, and he grew up in Little Rock, Ark. His father, Louis, was a salesman, and his mom, Georgann Freasier, was a social employee.
In the late Nineteen Nineties, he acquired a grasp’s diploma from the Columbia University Teacher’s College. While in New York, he started working on the Downtown Community Television Center, a company that produces documentaries and teaches filmmaking. Craig moved to town to affix him there. Working with its co-founder, Jon Alpert, launched their careers.
In addition to his brother, Brent is survived by his mother and father and a sister, Michele Purifoy. He lived in Little Rock and New York.